 - BassisJimmyJam's fork of Commerce Order Invoice 2 hours 50 min ago
This is a fork of the Commerce Order Invoice module for the purpose of developing experimental features without pushing them to the main project's git repository.
Warning!
This project is not intended to be used by the general public. If you are interested in using this module please see the main project.
Provides invoicing features for Drupal Commerce using Orders. This differs from Commerce Invoice in that it uses existing entity types rather than introducing a new "invoice" entity type; this results in less complexity and less duplicated code.
This module introduces a new "Invoice" state for orders as well as an invoice property for products and line items. Products can be configured to default to an invoice product by product type. Line items will be considered to be part of an invoice if their invoice property is set. By default, the invoice property on line items will be the same as the product that they reference. However, the line item can be updated to override the value on the product.
If the invoice property of a line item is set, the quantity field will be disabled for users that do not have permission to administer invoices and the delete/remove button will convert the order back to an invoice. The conversion involves removing all non-invoice line items and setting the order's status to "Invoice".
This project is sponsored by AllPlayers.com.
- uuidPatch 3 hours 6 min ago
Patch for uuid
- Field Privacy 3 hours 52 min ago
I'm only starting a module to provide the option to configure privacy settings for fields that have relation with an user.
- Views Destination 6 hours 57 min ago
add a field handler to views so that you can set destination of any link after submit.
- Ziptastic 6 hours 58 min ago
This module provides integration between the and Ziptastic, so that users only have to zip code field, and all relevant information is retrieved from the Ziptastic API and filled in for the user.
Sandbox project for now, but will become a full project once it's better.
- Domain MultiMobile 7 hours 45 min ago
Small helper module to allow multiple mobile subdomains (and automatic mobile redirection) when using Domain Access and Mobile Tools. Eg example.com/m.example.com, example.fr/m.example.fr
- Professional Share 8 hours 16 min ago
Professional Share is a free Drupal module that is optimized for the social media buttons that professionals and B2B companies need most. It’s optimized for speed and analytics and uses blocks.
* Core buttons applicable to professionals and B2B – focus is on LinkedIn and Facebook action verb “recommend”.
* Full Google Analytics Social Tracking. Google Analytics reports successful shares only. Tracks shares, recommends, unlikes.
* Official button code from LinkedIn, Google, and Facebook.
* Allows Twitter username entry so Tweets can be attributed to you.
* Plugin buttons load once in the page speeding up the user experience.
* Allows custom Facebook AppID and administrator IDs for deeper Facebook integration.
* Creates 3 blocks for multiple placements.
* Show/hide buttons using block options.
|  - Aaron Winborn: Demo of Drupal's Media: YouTube module 7 hours 11 min ago
The following transcript is for the video at http://www.youtube.com/watch?v=XfPKKisE88w :
Hello, my name is Aaron Winborn. I am a developer for Advomatic, the author of Drupal Multimedia, and a contributor and a co-maintainer of several Drupal modules, including the Media suite of modules.
Today, I will demonstrate a new feature of the Media: YouTube module: browsing and searching videos directly from YouTube, in the media browser itself. So first, let’s set up our environment.
We are assuming that you already know how to install Drupal. If not, you can find information at Drupal.org.
So right now we are at the modules administration page. We are interested in the modules under the Media package. You will need to install and enable the File Entity module (version 7.x-2.x), and the same version of the Media module.
We will not enable the included Media Field module; it is there for legacy purposes, and has been deprecated in favor of core’s File Field.
The Media Internet Sources module, included with the Media module, is a dependency of the Media: YouTube module, so we will enable that.
Next will be the Media: YouTube module, also version 7.x-2.x.
Finally, we will install the WYSIWYG module.
Let’s start by configuring WYSIWYG. We do that by going to Configuration > Content Authoring > WYSIWYG profiles. Note that I have also installed and enabled the Admin Menu module and the Admin Menu Toolbar module, which gives us the fancy drop-down menus for administration that you see here.
Now in order to use WYSIWYG, you need to have also installed a third-party WYSIWYG library, such as CKEditor or TinyMCE. You need to follow the instructions with the WYSIWYG module to install that, although it is quite simple actually. You just download and unpack the file into the sites/all/libraries folder. You can see that I am using CKEditor here.
The WYSIWYG module allows us to set up profiles for the various text formats on our site; in this demo, we will edit the Filtered HTML format.
Open up the buttons and plug-ins field set next. Then check the Media Browser check box. That will add the media browser button to our WYSIWYG editor, which we will see soon.
In order to use that however, we need to configure the filter in question. In fact, I believe that if we do not do this step 1st, we will get an error message, complete with a link to the format configuration page.
On this page, we need to check the box next to “Convert Media tags to markup”. That is the answer to the number 1 support question that we get in the Media queue, which is, “Why is there bracketed goobly gook instead of my images?”
So now, as we will see, everything should be working now. So let’s test it.
Here on the create article page, we see a fancy button on the body text area! Let’s click it.
And there we go.
These are thumbnails being pulled directly from YouTube. How about that?
And there is even a ghetto pager, or at least previous/next links.
And you can also search YouTube directly from our browser.
So now we will select a video and submit it. Add a title and save the node. And there we go.
And that’s it really. Well, almost.
There are some more settings, specifically here to control which tabs show up for WYSIWYG. Note that at the time of this demonstration, you will not have this functionality unless you install the patch over at node 1434118.
To complete the demo, we will also do the same for fields. Let’s add a field to hold YouTube videos. We will call it Media, and it will be a file field with a Media file selector widget.
Here, let’s reorder it as well for the demo.
We leave everything at their default settings.
Hold on, I forgot that we need to allow the YouTube URI scheme. And the video file type.
So now we will create a new article, and select the media.
And here we have all the tabs available to our browser, including the new and improved YouTube tab.
And also, let us look at another new feature of the media module: My files!
This has been a long-awaited feature for the Media module as well.
Now here comes the 2nd most asked question in the support queue: “How come there is a link to my file, rather than the file itself?”
Let’s just fix that now.
Now we are in the file type administration page, where we can configure the display for each of our file types. Note that we can also add fields to our files, although we are not going to do that in this demo.
We will jump to the video display...
No, we want to make sure that our large formatter is set up properly for YouTube. And it is, so let’s set up that as the formatter for our Media file field.
And there it is, as a generic file, which is simply a link to the file stream itself. We will change that to rendered file. And then we set the view mode to large.
While we are in there, we can do the same for our teasers. We will just set that to the preview view mode, which by default will display a thumbnail.
Whoops, I forgot to save it. Let’s just do that again.
And there is the video.
And there is the thumbnail.
Well done!
read more
- DrupalCon Munich: Scholarship Recipients for DrupalCon Munich Announced 8 hours 25 min ago
The DrupalCon Munich team was excited about the interest for this year's scholarship award, with 57 applications submitted. The DrupalCon scholarship program allows Drupal Community members, who would otherwise not be able to attend DrupalCon, to benefit from the DrupalCon experience as the Drupal Community benefits from each scholar's attendance.
The scholarship committee has made the final selection, and we are proud to present these deserving Drupalistas with Scholarships. Scholarships give access persons who would like to attend DrupalCon but lack financial resources to do so. The following awardees will be attending this year's conference in Munich, where the theme will be 'Open Up! Connecting systems and people’.
Scholarship Recipients*:
Greg Dunlap
Cathleen Theys
Jeremy Thorson
Yves Chedemois
Thomas Svenson
Karyn Cassio
Capi Etheriel
Jessica M.
Wolfgang Ziegler
*We will add more recipients to this list as we confirm.
We would like to thank everyone who applied for a scholarship, and congratulate those of you who were selected.
Scholarships
- Drupal Watchdog: The Drupal Mobile Process 12 hours 35 min ago
In creating the mobile application for the Chicago DrupalCon, our team learned quite a few things about iOS/Android Drupal-based mobile app development. This article will distill a couple of hundred hours of our work into a few lessons you can use on your next Drupal-based mobile application.
Assemble a Good Team
One thing we realized early on was that if we wanted this project to be a success we were going to need to treat it like a proper project. Proper meant actually bringing on a UX person to make sure the app made sense. It also meant that it should have a backend engineer and a front end developer.
Our engineer for the backend was Larry Garfield (known as Crell in the Drupal world), our UX person was Jen Simmons, and I brought up the front-end development side of things.
Outline Your Requirements
After determining our resources, we outlined our requirements and their importance. We found it helpful to break this down into three categories; must do, important but not critical, and nice to have.
For our project, the list of application requirements went like this:
Author
Patrick Teglia
Pat is an experienced Drupal front-end developer and mobile app enthusiast currently working for Palantir.net as a Senior Developer, building wicked cool things such as the DrupalCon mobile app.
- InterWorks Drupal Blog: Drupal 101: Intro to Views - The Essentials 1 day 50 min ago
Views are a massive part of Drupal and you can't experience the power of Drupal without the Views module.
read more
- Chapter Three: Content Strategy is the Missing Piece 1 day 2 hours ago
In lieu of the fact that I was unable to go attend Confab this week, I wanted to represent the Content Strategy movement by sharing a notion I've been thinking about for quite some time. I believe there are three key ingredients to making an amazing website:
Beautiful Design
Meaningful Content
Rock Solid Development
While this concept may seem self evident, I find most web projects do a great job at focusing on design and development, but fail to allocate sufficient resources, time, and consideration to the "Meaningful Content" chunk of the triangle.
Fortunately, the evolving field of Content Strategy has produced a concepts, tools, and methodologies which have begun to shift people's opinions on the importance of this sector.
In an effort to support this momentum, I've compiled a list of resources to share with future collaborators, web practitioners, and site administrators.
After all, the more we all know about Content Strategy, the better the web will become.
Hash tags to follow
#contentstrategy (my personal favorite)
#confab2012
People to follow
@halvorson
@karenmcgrane
@arockley
@RellyAB
@confab2012
Books to read
Content Strategy for the Web
The Elements of Content Strategy
Content Rules
Resources to check out
http://blog.braintraffic.com/
http://www.smashingmagazine.com/content-strategy-storytelling/
http://www.smashingmagazine.com/2011/06/03/content-strategy-optimizing-y...
http://www.slideshare.net/KMcGrane/adapting-ourselves-to-adaptive-conten...
http://boagworld.com/tumblog/the-truth-about-content-strategy/
http://boagworld.com/site-content/10-ways-to-put-your-content-in-front-o...
|  - What to Know When You Composing and Taking Images 15 hours 17 min ago
Before digital cameras, the only way to get a digital image was to take a picture with a film camera, get the film developed, then have the photographic print or slide digitized using a scanner. When digital cameras launch, all you had to do to make the effective purchase was to choose the camera with the highest figure of megapixels.
Over the last 10 years, digital cameras have changed so rapidly and introduced with new features so dramatically that the number of megapixels is no longer an acceptable indication of camera quality. Digital camera buyers will rejoice in the improvements and number of new features that digital cameras now offer.
Unless your first digital camera is an economy model with no adjustable features, the range of control settings on oiler can seem quite daunting. In this section we examine the controls that you are likely come across on your digital camera, and discuss what they can do for you when you are composing and taking your images.
SETTING CONTROLS
If you have used traditional film cameras before, then you will be familiar with most of the setting controls available on digital equipment.
However, if you are completely new to photography, and want to do more than just produce the most standard of images, then read on…
Creative control
If you want to produce something a little different like to experiment and would love to explore your artistic abilities, then getting to grips with the settings controls on your digital camera will not only be vital, but also potentially a lot of fun! There is a great deal more to most digital cameras than the automatic mode that comes as standard.
But what do these various digital camera settings control? Here is a brief explanation of what each of them does.
Exposure: With manual exposure you can control the amount of light that is allowed to reach the image sensor – this will determine how light or dark your photograph will be once it has been taken. The exposure of your image is controlled by a combination of the aperture size and the shutter speed of the camera.
Focus: With manual focus, you can choose which object or area of your subject you would like to be in sharpest focus. Good focus takes a lot of practice to perfect, but will repay the effort involved with more rewarding photographs.
Aperture: The aperture is a small hole behind the lens through which the picture is taken. The size of the hole is varied by manual or automatic adjustment to allow more or less light in, as needed. Its diameter is measured by what is known as an “F-spot”.
Shutter speed: The time that the shutter remains open for is the shutter speed. The longer the shutter is open the more light is allowed in, so for low light conditions, it is left open for longer.
White balance: You can use the white balance setting to control the light that you are using to illuminate your subject and improve the colors in your image.
ISO speed: This feature measures the camera’s light sensitivity. Usually the feature is self-adjusting, so you do not need to worry about correcting what is a very delicate balance in your camera.
COMPOSING IMAGES
There are no hard and fast rules when it comes to composition. There are, however, several general principals which can help take you from being an outright novice to having enough experience to go your own way
Horses for courses
The very first thing to consider is why you are taking your picture. Is it to record an event such as wedding? If so, the odds are that you will be disturbing copies to family members, in which case the recipients will expect to see photographs in the usual format. However, if your images are going to be used in some sort of publication, you may well need to compose your shots to fit in with a “house style”. In this case, care must be taken to learn exactly what this entails before you begin taking photographs, as many publishers often have very different requirements.
When the final use of your images is not dictated by other people, you can clearly do whatever you want in terms of their composition. This is where you can test your creativity, and in doing so, have a lot of fun. The facility to take and delete photos at will makes digital cameras particularly suited to this approach – you can experiment to your heart’s content without having to worry about throwing away lots of expensive film.
Grabbing attention
To make your images stand out from the crowd, you need to catch the viewer’s attention. You can do this in many ways: by using dramatic colors; by choosing an eye catching subject; or by framing the subject itself in an unusual or visually stimulating way.
Background issues
When you are working out your next shot take a close look at the way the major elements are going to appear in the resulting image before going too far. Strong lines can make or ruin a photograph, depending on how they are used. If you are working outdoors on scenery views, vertical lines can extend from things such as trees, lamp posts or buildings, and horizontal lines can come from horizons, roads, bridges, and so on. If, however, you are working on close-up shots, you need to be a little more careful about objects that you might not otherwise notice until you are back at your computer.
Staying on the level
Sooner or later you might want to take some photographs of large expanses of water – rivers, lakes or the ocean. It is one of the unwritten rules of artistry that things that appear level in nature should be portrayed level in pictures and photographs. When you have a subject that you want to highlight without being obvious about it, you can play all sorts of visual tricks. For instance, you can use other parts of the scene to lead the eye to your intended element. Roads, tracks, rivers and hedge have all been used to good effect many, many times, so if you can come up with new and exciting ways of doing this, your pictures will score lots of extra points from onlookers!
Using space
Once you have got your subject in place and decided on the other important features, it is important to check out the empty spaces in your image. Used incorrectly, they can ruin your picture, but used property, blank areas can really enhance the message you are trying to convey. For example, if a racing car is entering a long straight, and you want the viewer to see that there is nothing up ahead, show lots of track.
Similarly, any other attempt to indicate motion over distance-perhaps images of canoeists, cyclists, aero planes, trains and automobiles – can all be improved in this way. If you have no reason to show a large empty area then find some way of filling it – skies can have clouds and fields can be populated by livestock. No-one need know that these things were all added too much foreground in later using your image manipulation software.
Finding an angle
Another way of exploring your creative side is to make your subject more interesting by presenting it from unusual angles. Rather than taking a portrait from straight ahead, for example, use a chair or step ladder to get above your subject or crouch down below it. This will immediately make the picture more intrinsically interesting.
If you are going to take a photograph of a tall narrow subject such as a skyscraper or a pine tree, or a low, wide vista like an open landscape, then it is a good idea to match the aspect ratio of the resulting image to the subject. This is the ratio of the width of a picture to its height. For example, when a picture has an aspect ratio of 1:1, it is square, but at 2:1 it is twice as wide as it is tall in other words, it helps to make the shape of the picture fit the shape of the subject.
Visual checks
Once you have got your layout and angles sorted out, it is important to check how your subject shows up with respect to the background – if their colors are similar, it may well be that you cannot distinguish one from the other. If so, this photograph will be a wasted effort, unless you can rearrange your angle, the lighting or the depth of the field, to make them stand apart.
Balancing acts
Having good visual balance in an image simply means that all the elements in it are well distributed so that it does not look lop-sided, or top – or bottom- heavy. While there are likely to be times when you will want to do this deliberately (such as adding empty space to convey motion), most of the time you will need to be taking balance into account.
Losing your balance
Imbalance can be caused by many things other than object distribution – for instance, a predominance of strong colors on one side of your image can make the other side look dull and empty. Likewise, deep shadows can throw an otherwise well-composed image off balance. If this is the case, you will either need to wait for the light to change naturally, or you will require in-fill from another source, such as a flash gun or electric lamps.
FOCUS
Getting the focus right is one of the most basic, but most difficult operations in photography. Not only do you need the right lens in place, but there are a whole host of other factors to keep in mind.
Staying in focus: There are two kinds of focus: physical and virtual. Physical focus is achieved using adjustments in the lens position, whereas virtual focus is performed by software in the camera’s processor.
Fixed focus budget cameras: Many budget cameras have no facility for focus adjustment – they do a reasonable job so long as the subject is not too close or too far away. Due to their low price and acceptable performance, disposable film cameras have become very popular in recent years.
Auto focus: Once you move up from the budget sector, just about every digital camera has the provision for auto focus. This is a facility where the camera senses how far away the subject is and sets the focus accordingly. Some of the better cameras allow you to see the focus point, whereas cheaper models will only pick up on whatever is in the centre of the image.
Manual focus: If your camera has a manual focus facility, it allows you to disable the camera’s auto focus and take full control of matters. For a start, you can decide for yourself exactly where the focus point is going to be. It is not until you have mastered the art of getting really crisp edges to your subjects that you can start to exploit the depth of field for full dramatic effect.
EXPOSURE
It is clearly viral to make sure that your photographs are not too dark or too light; this is determined by what is known as the image’s “exposure”. When an image receives too much light it is said to be over-exposed, if an image has too much light in it and becomes over¬exposed this results in a loss of color. The end result is normally a photograph that depending on the extent of the over-exposure, may seem to be composed entirely of a series of light greys and whites. Conversely, too little light will produce a dark feel to the image; this is known as under-exposure.
Seeing the light
The actual amount of light that is allowed into the camera and onto the sensor is controlled by two things – the size of the aperture and the amount of time that the shutter is open. When the exposure is being controlled by the camera, all the shutter speed and aperture settings are determined automatically. The camera’s processor calculates the correct settings by measuring the scene’s light levels via a special light-petering sensor. Just how accurately the exposure is determined will depend on many things, but the most important factor is which part of the scene is measured. Most cameras try to account for the fact that the sky is very bright, and so they bias the readings towards the bottom of the picture, but usually give priority to the middle of the scene, on the basis that this is the most likely position for your main subject.
If you are in doubt about how well the automatic exposure setting on your camera is functioning, many models offer an exposure bracketing facility, in which a series of pictures are taken, each with a slightly different exposure. You can then look through them and choose the best image, according to your preferred exposure.
LIGHT
One of the most challenging things to get right in digital photography is the light. Not only it is important to get this right for the overall scone, but also for the shadows and detail features in your images.
Light temperatures
Photographers often talk about light in terms of its temperature. Light that is biased towards the red end of the spectrum is said to be warmer, whereas that which is shifted towards the blue end is said to be cooler. For example, household electric lights are redder than daylight which is said to be cooler due to its blue content.
Exposures and light
When photographs are taken in low light conditions, it is necessary to use longer exposure times to capture the maximum amount of available light. Under these circumstances it is vital that the camera is held steady; or else severe blurring will occur. A tripod is the usual answer, but in the absence of one, you may be able to find a stable surface upon which you can rest the camera. If this is the case, it is a good idea to use the self-timer to trigger the actual shot.
Flash photography
All except the most basic of digital cameras have a built-in flash. Unfortunately, it is only when you get to the more expensive models that there is the facility to directly control an external flash gun. However, some of the in-built units do have several modes. The default setting is the automatic mode, in which the camera adjusts itself to deal with the ambient light conditions. This can usually be turned on and off very easily to suit the occasion. It is important to remember that the flash needs to recharge between depending on the circumstances, this can take more than 10 seconds on a mid-range camera.
PROBLEMS WITH “RED EYE”
Anyone who has ever taken a flash photograph of a friend or relative will be familiar with the dreaded problem of “red eye”. Unfortunately, this common condition occurs just as much in digital photography as with film, but it can be avoided.
Red eye mode
When light strikes the eye, a certain amount of it gets reflected back towards the camera – and in doing so it gets filtered by the internal structures of the machine. In the case of eyes that are adapted for use in daylight, this reflected light shows up as red, whereas in animals whose eyes have adapted to being able to see at night the reflections may be other colors – such as green in dogs, for example.
The red eye mode available on many digital cameras gets around this problem by giving the eye an initial burst of light, before producing a second flash while it actually takes the picture. The first burst of light causes the iris to close partially, which blocks most of the red light from being seen by the camera.
One thing to take into consideration is that this contraction of the eye can make the person being photographed look less attractive in the resultant image, so if this worries you, do not use the red eye flash mode; instead, remove the red color in the eyes of the subject by using your image manipulation software on the finished photograph.
There is a further mode now commonly used to control how the flash on digital cameras operates to reduce red eye. This is the “flash synch”, and it has two settings, which are known as the “1st and 2nd curtains”. In the “1st curtain” mode, the flash is fired at the beginning of the shutter opening, whereas in the “2nd curtains” mode it is fired just before the shutter closes.
ADJUSTING WHITE BALANCE
The “White balance” facility on digital cameras is designed to counter color “temperatures” and to standardize colors, through several different modes.
Auto: In auto mode, the camera deals with any color balance changes itself
Daylight or sunny: This mode is the best choice when photographing in sunny outdoor locations.
Incandescent or tungsten: This mode is the best under incandescent lighting.
Fluorescent & fluorescent H: These modes are for use under fluorescent lighting.
Cloudy: The best choice when photographing in cloudy conditions.
Flash: The best choice for flash photography.
REVIEWING & DELETING IMAGES
Being able to review and delete pictures on the LCD screen of your camera is one of the greatest advantages of digital photography. Depending on how your camera is configured, you can either get quick review lasting a few seconds each time you take a shot, or you can set it so that you can take as long as you like.
Choosing which images to keep
I review my images firstly to check that the subjects are all in frame. Then I look for any other objects that might have unintentionally ended up in the shot – either in front of, or behind, my main targets. If I am satisfied at this point, I then use the review zoom button to dose in on the main parts of die image Next. I examine the edges of my subject for sharpness. If all is still satisfactory, I then look at the shadows, and check to see if I can make out sufficient detail. The other things I check for depend on the situation; for example, if I am photographing 3 butterflies, I might have managed to get all the technical details right, but the butterfly might have closed sits wings or shifted position as the shutter closed. In this case I will try to re-shoot the linage following the same procedure. The golden rule is: NEVER be too hasty with the delete button!
CAMERA MODES
Digital cameras offer several different modes to facilitate many different kinds of photography. As A rule, the more you are able to spend on your camera, the more modes you will enjoy.
Close-up or macro photography
Macro photography is the technical name given to what is more widely known as close-tip photography. The subject matter for close-ups is irrelevant – the choice is entirely your own! Many people like to take pictures of natural items in the countryside.
The right camera
If you have a fixed focus camera, forget it – macro photography will be out of your reach until you obtain more suitable equipment. If you have a mid-range digital camera, you may well have a macro mode, in which case you can make a start in this fascinating field of photography. If you are lucky enough to have a high-end camera, while you may not already own a specialist macro lens, there will be several available to suit your model.
Unless you have one of these, you will soon find that there are real limitations to what you can and cannot achieve. Macro mode on a mid-range digital camera will allow you to capture images from distances of around 10cm (4in) up to about 50cm (20in).
Macro and compacts
Personally, I find that when I use a compact camera, I get the best results when I use the highest resolution setting at distances of around 50cm (20in) than I do when I try to shoot closer up. One of the best things about macro photography is that you can experiment endlessly the more things you try, the more you will learn, and this on its own may make the exercise worthwhile for you.
Portrait mode
Portrait mode sets the camera up to take images where the subject is in focus, and the background is blurred.
Self-timer mode
The self-timer allows you to take the picture and be in it at the same time. Most digital cameras have this facility. When set to this mode, you simply line the camera up, press the shutter release button, and get into position. The camera will usually beep quietly until it takes the shot.
Auto mode
In the Auto mode, as you would expect, most of the settings are controlled automatically by the digital camera, so if all you want to do is point the camera and take pictures, this is the mode for you. There are, however, several things that you can still do to enhance your images in this mode.
Firstly, you usually have the option to zoom in to the subject Just how much you choose to zoom will depend on how close you are to the subject and how much of the background you think you should include. If you like the background, leave it on a high resolution – if not, you can crop it away later in your image manipulation software until you are happy with the results.
Manual mode
Once you have learnt the basics of how your digital camera works, you may well want to experiment with the photographic special effects that it offers. This is where setting the camera to manual comes in; essentially, this mode hands you control of both the shutter speed and the aperture size.
Shutter speed priority mode
When the camera is set to shutter speed priority mode, the aperture size is still automatically controlled for the best exposure, but you get full control over the shutter speed. You may choose to do this so that you can set it to a very high speed for capturing moving objects, or alternatively you may want to go for a very slow shutter speed for subjects such as waterfalls.
Aperture priority mode
When you set the camera to aperture priority mode, it still calculates the best shutter speed to give you the optimal image exposure, but also allows you to adjust the aperture size to suit a particular effect. This can be very useful if you want to play around with depths of field – that is, the relative crispness of objects in the foreground and background of your image.
Stitch mode
You may well have seen images produced by panoramic film cameras before – such as school photographs, in which several hundred pupils line up in wide, massed ranks so that they can all be photographed together. How many of you remember the weird and wonderful cameras that slowly spun around on rotary mounts as they recorded your unhappy visages? Well, these days most of the better digital cameras can take similar pictures by using what is known as “stitch” mode. This is where a series of overlapping images are re-processed by the camera into one extra-wide panoramic view.
Landscape mode
Landscape mode sets the camera up to shoot expansive scenes. It generally does not have quite the same range flexibility as stitch mode, but it is an ideal medium for taking photographs of countryside scenes and so on.
Low light mode
Low light or night scene mode allows you to capture an image where a close-up subject gets lit by the flash, but the rest of the scene is given a low shutter speed. This lightens the background to make it appear to match the foreground subject.
Auto-rotate mode
If your camera has an auto-rotate mode, it means that an orientation sensor is used to detect which way up the camera was held when a shot was taken. If the mode is in operation, it turns all the images through the appropriate number of degrees so that they are all the same way up when you review them. If you are displaying your images on a television set or computer monitor, this facility can be very useful indeed.
Photo effects mode
If your camera offers this mode you can shoot images with all sorts of interesting and exciting effects.
Vivid: This effect enhances the colors and overall contrast to make the image seem brighter and sharper overall.
Neutral: This feature does exactly the opposite of the Vivid setting – it tones down the colors and contrast in the image.
Low sharpening: This feature reduces the strength of the outlines of the subjects in the image to give them a softer look.
Sepia: As you would imagine, sepia mode records the scene in sepia tones instead of full color, enabling atmospheric image effects.
Black and white: When this effect is applied, images are recorded in monochrome. Many people think that this is the best way to convey artistic images, feeling that the effects achieved are more subtle than color.
Custom effects: With the custom setting, you get full control over color, contrast and image sharpness.
Fast action mode
The fast action mode is used for taking photographs of fast moving subjects such as cars and trains.
Slow action mode
The slow action mode is generally used for creating artistic shots with blurred images of moving objects. It is Ideal for photographing running water, especially waterfalls or waves.
Continuous shooting modes
Many digital cameras have their own version of the film camera’s motor drive. There are two commonly available versions – low and high speed. Typically, the low speed continuous mode will allow you to see each image on the LCD screen as it is captured, whereas the high speed version does not. These modes are excellent if you want to take a series of shots of some kind of action event – a bowler at a cricket match, an overtaking maneuver in a car, a motorcycle or horse race, or simply your kids playing a with the family pet!
Image Credits
Mode wheel on digital camera
‘What’s that little wheel for, grandpa?’ – Mike Goldberg
- Use an iPad at Your Trade Show Booth to Engage Consumers 1 day 15 hours ago
Have you walked into your favorite retail store, restaurant, or mall recently only to see a shiny new iPad staring back at you? Businesses around the world are starting to realize the many benefits putting an iPad in their store offers. iPad, along with other tablets, are revolutionizing so many different industries, and it appears that businesses are beginning to take notice. With the coming trend of using an iPad at a physical location to engage consumers taking shape, why not take this idea one step further?
Do you attend trade shows or industry conferences? Perhaps you even shell out the big bucks to rent booth space at these events? If so, then you know that most of the time the reason for spending the big bucks on booth space at these events is to capture attention for your products and services, as well as, to generate leads. What better way to capture attention than to set up an iPad Kiosk at your trade shoot booth.
What is an iPad Kiosk?
An iPad Kiosk is simply an iPad contained within some sort of iPad enclosure or iPad stand. iPad Kiosks are designed to allow people to secure an iPad in a public location so that consumers can interact with the iPad as they are passing by. When using an iPad in a public location, your store, a trade show booth, etc. it is important to know that your iPad is not at any risk of theft. The three types of iPad Kiosks that you see most often used at Trade Shows are:
iPad Kiosk Floor Stands
iPad Kiosk Tabletop Stands
iPad Wall Mounts
Floor stands allow for the most flexibility as they can be placed anywhere, while still offering security for the iPad owner and easy access for consumers. iPad Kiosk floor stands usually range in price from $300 – $600 depending on the type of stand you want to use. Floor Stands are usually the most expensive iPad Kiosk option, but they are also the most versatile. When using an iPad at a trade show, it’s important that you don’t take up your table space with an tabletop iPad Kiosk. Having a floor stand positioned next to your table will be much more convenient for both you and your booth visitors.
Tabletop iPad Kiosks are another great option. They can usually be purchased for a little less than the floor stands. The price range for a quality Tabletop iPad Kiosk is between $200 – $400. Although a tabletop iPad kiosk will take up some table space at your booth, it’s still a much better alternative than using an unsecured iPad at your trade show booth.
iPad Wall Mounts are your best option in terms of not needing a lot of space. That said, not all trade shows offer wall space for you to use. Except for your high-end trade shows, you normally only see an iPad mounted to a wall in a store, sports arena, college and university, or really any permanent location. We don’t recommend using an iPad Wall Mount for most trade shows. That said, if you’re in the market for a quality iPad Wall Mount you should budget around $200 – $400.
Benefits of Using an iPad at My Trade Show Booth
There are so many benefits of using an iPad at your trade show booth. Here are some of the top benefits that most people receive when using an iPad to engage trade show visitors at their booth:
Increased interest and traffic at your booth – Everyone is drawn to iPads. People that see an iPad in a place where they are not used to seeing one will usually take the time to check it out. That’s exactly what you want when you attend a trade show, people to take a minute to stop by your trade show booth. This is what iPad delivers over and over again.
More time spent at your trade show booth – Once the iPad has lured people to your trade show booth, usually those folks stick around your booth a little longer than they would a booth without an iPad. This provides you with an opportunity to share information with those folks about your products, services, company, and industry.
Increased engagement in your company – People who take time to stop by your booth, and then spend some extra time while there, are also more engaged in what you have to say then those folks who simply pass by, say hello to be polite, grab your free tchotchke and leave. Having an iPad at your booth provides you with an opportunity to talk to someone who is actually listening to you and wants to learn more about such an innovative company.
Ability to convert booth traffic into online connections – As we will discuss a little later in this article, there are apps out there that allow you to collect email addresses right on you iPad. Say goodbye to that pad of paper that you used to use to collect email addresses. Now you can collect email addresses on your iPad right there at your booth. You don’t even need an internet connection to do it!
Opportunity to show educational content about your products, services, company, and industry – Do you have YouTube videos detailing your products or services? How about a website? Maybe you have product specs saved as PDF files. Any of these pieces of content can be served up on the iPad for your trade show booth visitors to read or watch.
The list above provides a snapshot of just a few of the top benefits that using an iPad at your trade show booth provides. Depending on how you use the iPad, which apps you run, and how many people show up, there are a lot more benefits that you’ll enjoy.
How to Set Up an iPad at My Trade Show Booth
So now that you’ve read through all of the benefits of using an iPad at your trade show booth, let’s take some time to explain how you can actually put this theory into practice. It’s actually a lot easier than you might think. Follow the steps below and you will have an iPad up and running at your next trade show.
Determine how you want to use the iPad at your trade show booth. This is the most important step as once you determine how you want to use the iPad, you can then go about securing the proper components to make your plan work. Take some time, figure out what your goals for the trade show are, and then think about how using an iPad can help you achieve those goals. Do a little research. See what apps are out there. Read some articles to see how other companies are using iPads at trade shows. Once you have your plan in place, then you can move on to executing on that plan.
Buy an iPad or figure out which one (or many) you’re going to use.
Find out if there will be wireless internet at the trade show and also determine if you will have access to a power supply based on where your trade show booth is located.
Purchase your iPad Kiosk. Depending on how your booth is setup up, how much space you have, and where your power supply is located, we recommend that you either purchase a iPad floor stand or a tabletop iPad kiosk. These two types of iPad Kiosks work best for trade shows.
Download any apps you need or get any content that you want to display on the iPad ready. Review everything prior to the trade show so that there are no surprises when you get there.
Go into your Settings app, tap the General tab, and set “Autolock” to never. This will ensure that your iPad doesn’t go into sleep mode during the trade show. The last thing that you want is for people to pass by your iPad Kiosk and the screen is blank. Whatever content you want to display, be sure that it’s on the screen at all times.
If you follow these steps you should be able to have an iPad Kiosk set up at your trade show booth in no time. Not only that, but you can feel confident that your iPad will function as you envisioned it.
iPad Apps to Use at Trade Shows
Although more and more companies and individuals are using iPads to engage consumers at trade shows, in retail stores, at restaurants, and so on, the list of available apps to use for this purpose is still quite small. That said, I think we are on the verge of an explosion in these types of iPad apps. It’s only a matter of time before iPad app developers realize just how big a market this can be. For now, below is a list of some fo the best iPads to use at your trade show.
OnSpot Social
Collect Facebook Likes, Add Twitter Followers, and Collect Customer Email Addresses from Anywhere.
OnSpot Social is an iPad application that allows business owners to grow their social media community, as well as, collect email addresses for their email marketing list from a physical location. Simply set up an iPad Kiosk at your trade show booth, purchase a 1 week subscription from OnSpot Social, and convert trade show visitors into online connections.
One of the main goals for all trade show exhibitors is to collect leads. Usually this is done by having booth visitors write their email address down on a piece of paper. After the trade show someone then has to decipher each person’s handwriting and input each email address into the computer. With OnSpot Social this is all done for you. Booth visitors put their name and email address into your iPad, after the show you can log into OnSpotSocial.com and download a list of all of the email addresses you’ve collected. No more losing email addresses because you can’t read the person’s handwriting and now more wasting time retyping the information into your system.
KioskPro
Turn Your iPad into a Digital Billboard.
KioskPro allows you to turn your iPad into a Digital Billboard, run a photo slide show, or even display your website easily to your trade show booth visitors. Depending on what content you want to show on our iPad, KioskPro might make a lot of sense for your next Trade Show. If you want to show pictures of your products, show customer testimonials, or even your website, KioskPro allows you to set up a slide show or digital billboard to accomplish this task. Booth traffic can then interact with your iPad Kiosk right there at your booth.
YouTube
Play Product or Service Videos for Trade Show Booth Visitors.
If you don’t want to pay to download an iPad app like OnSpot Social or KioskPro, you can always use YouTube to play videos for booth visitors. Simply open up the YouTube app on your iPad, navigate to your YouTube Channel or even to a specific video, and leave it up for people to play. This allows you to educate your trade show both visitors without you having to say a word. You can then be there to support the video by answering any questions that booth visitors might have after watching your videos on YouTube. One thing to note if you use the YouTube app, be sure to reset the video back to the beginning after each person, or group of people, is finished watching.
These are 3 of a number of iPad apps out there that you can leverage for your next trade show. Again, the list of apps is still small, but give it 6 months to a year and I think there are going to be plenty more hitting the app store.
Use iPad at a Trade Show
Now that you’ve finished reading the article, what do you think? Do you believe using an iPad at your trade show booth can help you better achieve your goals? Have you ever used an iPad at a trade show before? What were your results? Please leave a comment below as we’d love to hear what you think.
Image Credits
iPad2 at “Invest” exhibition
Apple employees greet customers on Ipad launch
- Deliver Great Service to Your Client – And See Your Profits Soar 2 days 11 hours ago
Great service is the pillar of every business and one can achieve success and maintain it only through quality service. A host of techniques contributes to business success but the foundation of every business is quality work. Only quality can make a business move along. Offering great service is as important for employees as it is for an entire business. This is true for both salaried and freelance employees. As long as you are providing good quality service your value will be acknowledged; if you fail to maintain this quality you will go out of business. Even if one encounters a successful break by chance, to maintain that success you need great service because opportunities for success are not continuous.
The main goal of employees is to satisfy clients by offering good service. While good service helps salaried employees gain success in their growth within an enterprise, freelancers build their reputation and gain future projects through good service. Therefore, it is very important to offer good service to your clients. Only quality service can be the strong base of a successful business.
To start with, good quality is simple but maintaining that quality throughout your work is difficult. Sometimes too much work might hamper your quality, and at times less time dedication may lead to bad quality. This article discusses the importance of great service and guides you in delivering great service and maintaining it throughout.
Importance of quality service
Delivering quality service is a necessity for employees to satisfy their employers and keep their jobs. For freelancers, it is more important, as quality work can only get them good work and let them get going with their freelancing. Most freelancers work on a project basis from the cozy comfort of their homes. Therefore, only when they provide quality service to their clients and satisfy them, will they be able to gain future projects; the moment they fail to deliver great service, their chances of gaining future projects decrease. Below are some of the benefits a freelancer gains by delivering great service:
Trust between clients and employee: As a freelancer, you are solely responsible for your work; therefore your work quality adds value to your independent identity as a freelancer. Great service keeps your clients satisfied, which helps them build trust in you. They will find you reliable and give you more freedom in your work to allow you to add your own ideas. This will help you to work freely and more creatively as your clients will reduce their queries.
Increased referrals: When you offer quality work you leave a mark on your clients and impress them. And when they find you reliable, they will not hesitate to refer you to their friends and colleagues. Therefore, quality work will increase referrals for you and help you grow further in your work.
More work projects: Quality work will not only satisfy your clients but also build a good name for you. It will help you to create a reputation in the professional world and make your name a brand in your circle. Your value will be acknowledged and you will be offered more work projects. Your quality work will also help you earn future projects.
Therefore, all the basic needs for you to have control over your job depend on your work quality. It fulfills your client’s needs and helps you to earn future projects. Maintaining good quality is not that difficult unless you intentionally compromise your standards, which can ruin your standing. Once creating great quality becomes a habit, you will be familiar with the flow and move along well with it. You should be very careful in improving your quality; maintain consistency in your work at least so you continue to satisfy your clients’ requirements. While great work will bring you more work, failure to do so might also lose you potential projects. Therefore, delivering great service is not just important for you to gain success but also to maintain your job.
Factors to offer good service
After realizing the importance of delivering good service it is clear that maintaining good service is a necessity for every job. Good service includes more than just good work. It goes beyond just offering good work and comprises maintaining professional etiquette, being conscious of deadlines, and maintaining a good client-employee relationship. For example:
when a restaurant is said to offer good service, this means that along with good food, the restaurant offers a proper environment, hospitable staff, and food that is served with decorum. Similarly, when a freelancer is supposed to offer good service to a client, he or she has to offer good all-round service. Below are the major elements or factors that should be considered to ensure your clients get great service.
Satisfy clients’ expectations
Maintain work quality
Offer high availability
Maintain professional etiquette
Communicate well with clients
Be deadline conscious
Be honest at all times
The above-mentioned elements are important for offering good service to clients and all should be followed. Even avoiding one factor is not an option as all seven are important. Now let’s discuss these elements in detail so you can understand how to offer great service and satisfy your clients.
Satisfy clients’ expectations
Every employee should aim to satisfy clients. You should first understand your clients’ expectations and then satisfy them. Understanding a client’s expectations is very simple. Along with providing quality work in estimated time, your client will expect you to be honest and fair in business. You will be expected to be responsible towards the work and communicate actively. You will also be expected to offer new ideas and be creative. You should maintain all these and thus satisfy your clients’ expectations. Try to estimate the time you require to finish a particular job, then clearly inform your client about the timelines. Finish the job before the deadline and provide great quality work at the end of the project. In the meantime, be in regular contact with your clients and respond to their feedbacks and comments.
Be upfront about everything, whether it be a job, budget, or time issue. Don’t make fake promises because it will be difficult for you to continue with such promises. Therefore, remain honest in your business and maintain a healthy relationship with your clients. Be consistent with your service from the beginning until the end. Maintaining all these attributes will help you satisfy your clients’ expectations.
Maintain work quality
Maintaining work quality is very important to impress clients. Quality of work is vital to ensure great service; therefore make sure you provide perfect quality work throughout your tenure of a project. Do not compromise with your work because your reputation depends on the quality of work you provide. To maintain work quality, it is important you dedicate enough time and concentration to the work. When you are freelancing, you choose to work from your own comfort zone and therefore, unlike an office environment, you have to be responsible about your timelines. As you will be working from your own space, there can be many distractions. Therefore, make sure you divide your work time accordingly and maintain it strictly so you can concentrate fully on the job at hand. If you fail to manage it from the beginning, you will not be able to satisfy clients’ expectations. This might cause last-minute hurry, which will again hamper your work. Therefore, maintain your time properly and come out with quality work for your client.
Try to finish one job at a time, and then take on another job. This will help you focus on a particular job and not be distracted from producing quality work. However, if you feel you are capable of handling more than one project at a time, make sure you allocate separate working hours for both jobs and apply your dedication to the job you are working on. This will help you to maintain quality on both projects. Too much work and insufficient time are the main reasons why quality is compromised, so it is important to balance your work and time. Also develop the habit of monitoring the entire job after completing it, before you submit it to your clients. You should also keep backups of every job so you do not encounter any job-related problems during the project. Maintaining the quality of your work will build trust among your clients and enhance your future prospects. Ongoing quality is the real mantra for offering great service.
Offer high availability
It is very important to offer high availability to clients in order to stay in the race of the professional world. Offering high availability means being responsive towards your clients’ emails and calls, and providing them service as they need it. To do this, you have to be active with your email check up and phone calls. Make sure you receive your clients’ calls, and if you miss any, make sure you get back to them soon. The same goes for emails. You have to be active with your inbox and be responsive to your clients’ queries and expectations. When you are dealing with a particular client make sure you make the client feel important and that you are solely at his/her service. You will be having more than one client and it is your responsibility to handle them in your ways.
All the above facts may sound that you are becoming a slave to work. But you can make the task easier by establishing an understanding between your clients and yourself. At the beginning of the job, make sure you are clear about your timelines. Check your emails at regular intervals and respond to your clients. Regarding phone calls, from the initial stage of the job divide your time between work and play and make this division clear to your client. Speak upfront about your timelines and do not hesitate to say you will not entertain calls during your play time unless they are urgent. This will help you by making your terms clear to your clients, and they will not hamper you with calls anytime. However, during peak times you might have to work beyond your normal times. Be prepared to compromise with such situations as they are the part of your work. Therefore, maintain high availability for clients without hampering your personal life.
To ensure you respond punctually to emails, set alarms for new emails and unsubscribe unwanted email notifications to avoid distractions from work. Also check your inbox at regular intervals to keep updated on any new developments with your clients’ requirements. Ensure you are not spending too much time on your emails. You should respond to your clients’ mails regularly and not make them feel ignored. Be sure you are at their service whenever they need it. You can adopt one easy way to create a balance between your work time and play time and still maintain availability to your clients. Mention your business time and email address on your voice mail messages. This will help your client know about your times and that you are not avoiding their work. This will help both you and your client. At times there will be real urgent work for clients; during such situations do not your clients down. Make sure you meet their needs ? your extra effort and work will count in building a healthy relationship. Whenever you are going on a planned holiday, make sure you inform your clients about such plans ahead of time. When the plan is an urgent one, try to leave a mail or message for your clients informing them about your unavailability, and mention the seriousness of your situation. Offer quality work and high availability to your clients without hampering your personal life.
Maintain professional etiquette
Maintaining professional etiquette is very important for every person in the professional world. Professional etiquette includes attending to phone calls properly and responding to email queries on time. We mention above the need to respond to emails and calls. Now, let’s look at other etiquette that should be maintained in a profession. Make sure you respect your clients’ needs and their time. Maintain courtesy and respect towards your clients.
Suppose you have an urgent query, and you need to clarify it with your client, which requires you to call your client out of office hours. At such times, practice the courtesy of asking whether the client is free and comfortable to answer your queries at that particular time. If the client says yes, you can continue with your query; if the answer is no, contact the client at a more convenient time and accept the arrangement courteously. Be polite in your communication and make sure you never speak about your clients in a derogatory manner in front of anyone. If you are facing any problem, rather clarify it with your client than gossip about it behind the client’s back. Respect your clients’ demands and attend to their requirements properly. Be a good listener and attach importance to your clients’ talk. Do not make your clients feel you are not paying heed to their talk and are leaving them unattended. Practice humility, courtesy, and respect in order to provide great service.
Communicate well with clients
It is very important to communicate well with your clients. In the above sections, we often refer to the importance of communicating frankly with clients. While communicating properly with your clients, there are certain aspects that should be followed. Below are these aspects:
Gain control over your communicating language so you do not face any language problems while communicating with your clients.
Clarify your timelines and working capabilities with your clients.
Be an active listener to understand your clients’ needs and expectations.
Maintain frankness and honesty in communicating with your clients.
Be active with your emails and phone calls and respond to your clients’ requirements on time.
These are aspects of communication you should maintain in dealing with your clients. Communication can never be one-sided and therefore, along with being an active speaker, be an active listener. Whenever you are communicating with your clients, make sure you build a conversation and allow your clients to have their say as well. Remember to be clear and straight in your conversation so there are no hindrances regarding your communication with your clients. Maintain all these aspects and communicate well with your clients.
Be deadline conscious
To offer great service to clients it is important to be deadline conscious. Every project needs to be completed within a particular time. You need to understand the seriousness of deadlines and be particular about the fact that you complete clients’ work on time. Make sure you clarify your required time with your clients before taking on a project. After you commit to a job within a period of time, it becomes your responsibility to complete it within that time. Try to complete one job within a time and even if you are dealing with more than one job make sure you complete both jobs on time.
Make sure you maintain your work time strictly to avoid last-minute rushes. Do not compromise your work quality to complete work before deadline. Be deadline conscious and maintain work quality in order to offer great service to your clients.
Maintain honesty
Honesty is one of the most important things that should be adopted to succeed in business. Try to be honest with your clients to create a healthy relationship with them. If you think the time given to you is not enough speak about it and be honest in expressing that the time is insufficient to complete the job. Avoid making fake promises because such promises will bring problems back to you in future. Therefore, be honest while dealing with your clients.
These are some of the considerations that should be borne in mind to offer great service to your clients. Besides these factors, be proactive in your service, manage your project well, and follow a well-planned schedule to complete your work. Also be sure to keep backups of your work. Do not hesitate to discuss your work plan with your clients and ask them for ideas whenever you feel the need to. Try to understand your clients’ requirements and resolve all their issues properly. Consider your clients’ expectations as the first priority. Always try to learn from your mistakes and try not to repeat them in future. Follow all these elements while dealing with your clients to ensure great service and satisfaction with the final result.
Image Credits
Deadlines
Businessman sitting at office
- How to Design Awesome Infographics 3 days 15 hours ago
Even if information is highly out of ordinary and attention-grabbing, if your content contains lengthy plain text without illustration or images whatsoever, the entire page becomes dull and unimaginative. To sort this out, infographics help in routing information in a creative manner and in a style making your information easier to understand.
In a nutshell, infographics are visual representations involving data with applied design and style aspects to display written content. In forms of images plus text, some charts and other friendly resources, they extend the content of articles, usually of statistical data, and increase familiarity of readers in a way that elevates their comprehension. In this article, we will tackle how you can design effective infographics for your blog.
Factors to Consider When Designing Infographics
1. Focus of the readers’ eyes
Infographics raise awareness whereby people can relate and understand the subject matter better. As attention span of the average user is increasing, it’s important then to limit the scope of information and draw boundaries to win the focus of their eyes. The display on the graphics should create much more imagination. Ask guide questions when creating an infographic.
Stick to one problem and solution that you want the graphic to address. For instance, if you want to talk about the results of polling in politics, you can the winning and losing percentages, and some relevant images (and captions) of candidates pertinent to the main concern.
2. Information Flow
In parallel to the first item above, there should be a good flow in the information you’re trying to show and process. Nothing goes into effect without a cause; therefore, in any information flow, cause and effect relationships must be present and highlighted significantly. To check whether these relationships in your infographics are accurately done, position yourself as a layperson who does not know anything about the message and facts you’re conveying.
Put together words, icons, charts and images with arrows and lines in a playful style to make something even a child could understand. Engage readers from start to finish by grouping related data by flowcharting to simplify the process and connect thoughts. If the topic is about economic recession, arrange the sequence of events leading to the industry slowdown with the different stakeholders involved (e.g. countries, organizations and other groups) and construct a good visual journey for their comprehension and entertainment as well.
3. Color Motif
Selecting colors is an important aspect of graphic design. Color is the most effective tool to guide authors and influence their readers. It pulls you into continuing to read whatever is presented. When used properly, the color motif may be the yardstick of the success in making the information more readable by giving the readers a variety of impressions, both conceptually and emotionally.
One good pointer is to have excellent contrast: the textual content should blend well with the background, design and other illustrations. Colors can also determine the hierarchy and concept of details. Assign colors and designate each one to its consequential use; do not blandly scatter them all over the place without tying to one thought.
4. Font and proper weight
Design is not just about colors; it is also widely about typography, as infographics consist of both text and images. Choose the right font face and size for your text.
Keep in mind that infographics should not look plainly like an excerpt of some serious news article in a newspaper. Rather, the design should be creative but not so wacky that it looks misleading. Just aim for the proper.
5. Illustrations/Images
If your content is all great but design and images used are just the opposite, it is not worth doing infographics. For infographics to work well, it should have a great appeal toward the audience. Try different combinations of illustrations, images, graphics, diagrams, logos and icons. The effectiveness of the complete graphics will depend entirely on your creativity as a designer.
Also make the sizes just appropriate in proportion to the size of the infographics and consider applying the right scale for emphasis (e.g. bigger pictures may be signs that the items bring more impact and meaning). In any case, make sure that all the images you use are of high resolution.
6. Data Integrity
Be responsible for the information found in your presentation. It should contain accurate and timely data. As infographics may lead readers to the wrong conclusion due to lack of verifiable information and misinterpretation of resources, it’s a good rule of thumb to always cite your sources of data and their relevant links and follow through providing captions. Allow visitors to explore the details if they wish.
Giving credit to sources also gives you an opportunity to contact the authors and webmasters behind and inform them that their work has been acknowledged, used and mentioned. There’s also greater probability that these influential sources link and share your infographic to their work which may later on give your poster an initial boost in sharing and traffic terms.
7. Visual Simplicity
How do we ensure that the graphics effectively deliver complete information and knowledge to the public? Simplicity is the best policy. Ensure that the information transmitted is well arranged, organized and structured. Visual simplicity ensures that the charts, graphs and other representations will be easy for readers to understand.
Percentages can most of the time be represented with creative pie charts; mathematical principles in a set can usually be turned into a unique bar graph; and when numbers don’t fit on a scale, you might be able to place them in a visual diagrams.
Computer graphics should be simple, clean, clear and concise. Also, there should be consistency in the overall design. Every aspect should flow and make sense together.
8. Interesting Information
Research and dig deep to find the most powerful and compelling facts to include in your design. How interesting is “interesting?” It should get viewers exclaim and say “What? I did not know that!” and make a mark that is so unforgettable that it urges a discussion among the members of a forum or some community.
9. Target Market/Demographics
For your infographic to be successful, it should be geared to a specific audience. Only when the shift of focus is known and precise can it be effective in communication. You should create the infographic with a concept that should suit the reader, as infographics can be made with different forms and topics (e.g. sports, food, modern science, financial, political, etc.) and relayed with different emotions and responses (e.g. humor, fear, shock, pity).
10. Catchy Descriptions
Infographics are cool cheat sheets of certain topics. Normally, these topics contain sections that people delve in. If you have an infographic that look like a messy page of a scrapbook, make sure that every section has its respective catchy title or description that can better explain what the following images or facts are about to deliver.
Just like in any book, magazine or web content, readers may feel confused or bored when they are overwhelmed with piles of colors and items put together wholly so define each one with a headline to clearly mark the main idea.
11. Definite Purpose and Conclusion
As much as audience should be exact, there should be a definite purpose in creating and showcasing an infographic. The purpose is the element used to provide direction for all objects to be placed inside the graphics.
Ask why you need to create the infographic in the first place before visualizing how you’re beautifully going to display data. After doing much research to back up your established facts, identify your point of conclusion as well. Condense and decide how you’re presenting it, and have the confidence to deduct to a single-sentence message tackling on what you want to really impart with your poster.
12. Use of Space
An infographic crowded with much images and text would still look presentable and understandable if the use of space is proportioned well. Usually, the more points of data you can clearly show in such small space, the better. Best examples of infographics shown on the net compile large amounts of data into a story that gives the viewer deeper levels of understanding. Maximize the space you have to fill that density of data; large white spaces don’t look good.
Infographic Case Studies
In this part, we give you some examples of infographics and we’d determine if they are effective in sharing their message as they should:
1. The Insanely Great History of Apple
Infographic source
This visual is trying to show the history of Apple and reveal the record of Apple’s computer systems from the beginning of the organization in 1983 to the present. Its intended viewers may not also be specific to technical and smart people but also those who are interested in knowing the records of how Apple came to be such a giant company in the present. The graph used time (devices made from 1983 – 2011), category (how it uses different colors to represent different types of devices) and hierarchy (how some categories take up more space and are larger than others). Generally speaking, the visual reveals that Apple organization has had quite a few different computer systems over the years and is effective in making this statement. Segmentation of facts is done well with the many colors on the background.
2. The Evolution of the Geek
Infographic source
The data present in this visual is associated to the various types of geeks in the world, where they originate and circulate, so to speak. The infographic’s objective, as its name indicates, is to demonstrate the development of how geeks progressed. It used a time flow chart to demonstrate the progression and categorization. Each geek is showed by a different symbol and is characterized by a cute cartoon. This visual definitely attracts interest, however, it does not do much else. On the other hand, aesthetics wise, it’s still eye-catching and effective as it provides details in a concise and clear way without beating around the bush.
3. 2010 FIFA World Cup
Infographic source
This infographic provides interesting information about the 2010 World Cup tournaments mostly through graphs. Its potential target viewers are those people interested in the World Cup. As we view the graphic, we learn the broad statement here that there were 32 countries that competed and that Brazil has won the most World Cups. A lot shown in the infographic are composed of common information and facts, and this is okay. However, design opportunities are lost somehow in the sense that heavier images could have been incorporated (e.g. designs or themes inspired by sports like the field shape, goal netting, crowd ethnicity, soccer ball). Still, it’s an effective infographic with good numbers, giving a quick overview at how big the FIFA World Cup games really are.
4. Why You Should Stop Drinking Bottled Water
Infographic source
This infographic was made by TermLifeInsurance.org, a non-profitable organization, to explain to everyone why we should stop drinking bottled water. It has followed most of the suggestions above. For one, the title is clear and catchy on its message. Secondly, it has listed the sources at the bottom of the graphic. Third, it had a mix of basic colors neat to the eyes: red, black and white, making the text easy to read. Fourth, the font face used matches the design. As for the drawbacks, there are no axis labels on the pie and bar charts. This may leave the viewer wondering how to match the values or percentages to the actual meaning. Moreover, there are lots of spaces not maximized in the infographic, where it should have contained more forms of graphs. Instead, the images that do not present anything of greater meaning (e.g. the water bottle) occupied much space. On other view, this graphic would most likely draw anyone’s attention as it captures our day-to-day living; almost every living person drinks bottled water. With interesting facts sectioned properly, this one is still counted as effective.
5. Top 5 Most Active Twitter Moments
Infographic source
This infographic seems to be not an infographic at all, as it failed to show information visually. The tweets per second should have been displayed through a bar graph or bar chart. By seeing the heights of the bars, readers would quickly gauge the measure in differences of the tweets per second and event without reading the textual content. With this image above, readers might not grasp the comparisons. To aid as a solution, a suggestion is while creating an infographic, put all the text in one layer and hide this layer to check if all other elements are still making sense. If yes, then you’re successful at that. Otherwise, you’re like doing too much telling and not enough showing. Texts are only to support what is presented and should not be the “main stars” in the scene.
Conclusion
Infographics are graphics used to provoke thoughts, align more understanding to the article base, entertain or market or sell products and ideas, and inspire when done right. But having an interesting and attractive design with good content is only half the battle in creating infographics. The most important is that it jives with the substance of your article and that data you present is dependable and worthy to be shared among peers.
- Writing A Creative Brief: Dragging The Right Information Out Of A Client 4 days 14 hours ago
For every assignment, for every project, whether you are a freelancer or work a staff job, it’s of the utmost importance that you document every aspect of what is required to complete the project both correctly and in a timely manner. It’s also important that both you as well as the client note all of the milestones with required actions. The same applies to your department and other departments within the company for which you work.
Too many times I’ve heard people complain of a misunderstanding on what was needed on the project and due to a missed milestone, delayed submission of images or copy or just an argument over payments and project scope. While some people think this is all covered in a contract, which many people don’t have, the creative brief is the “Holy Book” of the project. I’m not being flippant about religious texts, mind you. I’m putting an emphasis on the importance of having everything written down and agreed upon by all parties to make sure the project runs smoothly and everyone involved ends up pleased with the results.
Why A Creative Brief Is NOT A Contract… Perhaps!
Ask someone to sign a contract and they will usually have a reason as to why they don’t want to sign. A contract contains hard and fast rules of the business end of a project. The length of execution, change fees, payments and rights of use are some of the elements spelled out in a contract. With careful wording, a creative brief can hold all of that information, too!
When first sitting down in the office or conference room of a client or meeting of the different players in your company, it’s time to start taking notes on what is said, asking certain questions and… setting requirements and boundaries.
At one firm, which was a very large corporation, we would all sit down in the conference room for a project meeting. Each department head would listen to the project scope and desired results. Like a puzzle, or perhaps a tower, each step depended on every department meeting the milestones set so the next department could pick up there and supply the needed elements only they could provide and so on around the company until it fell upon the art department.
If one department took too long with their part, like a tower with a missing part in the middle, the project would start to tumble down. Unfortunately, it would always be the art department that would be crushed under the weight of the steel beams of incompetence supplied by other departments.
The creative brief, written up and sent out by the art department served to hold people responsible. In regular meetings during the project, it made it easier to ask other departments where they stood on their milestones and why, inevitably, they were late. With a sympathetic and strong project leader, responsibility and meeting deadlines will make sure that creative won’t have a week to create the final project when other departments were to take only two weeks out of a two-month project.
It seems that at most companies this is the standard operating procedure. It’s rare that a project manager can or will keep tight reign on milestones. It’s even more rare that there’s a professional project manager at companies. Usually, someone will be assigned as a project manager and they might not have enough experience or the corporate level to demand strict adherence to milestones on a project. In a corporate setting, this usually leads to problems with getting a project done on time. In a freelance situation, your time is your money and when you end up either working an extra week or so on a flat fee, trying to charge for extra hours or working an extreme rush to make a deadline, it’s a losing situation for you and can lead to a project that probably won’t be your best work. In the end you’ll get the blame and although unfair, well… welcome to business!
So, how do you protect your reputation, income potential and show yourself to be a valuable vendor to a client or a competent project manager to your corporate boss? Start with a clear and concise creative brief and an iron fist! If written correctly, the information you include will leave no stone unturned and no question unanswered. It’s not really hard.
Where To Begin
Organization is the key. When I first started my design career, working both freelance and on staff, I would create a job folder for each and every assignment and project. I started by labeling the folder and then having a short creative brief written on the outside of the folder. It listed the following:
Name of the project.
Date I received it.
Date the project was due.
Who was involved in the project, their names, phone numbers/extensions, email addresses.
Milestones for materials needed from these people.
From there, as the project proceeded, I would write down notes of what was happening on a daily basis.
Were we on time?
Were there requested changes and by whom?
What milestones were missed and by whom?
When files were delivered and to whom.
Within these file folders, I placed all printouts of the design stages, emails from other departments/people and anything else that pertained to the project. Most of my bosses commended me for “knowing where the project was at any time.”
At one employer where incompetence was encouraged through rampant Peter Principle, I was told my file folders, “made people nervous.”
Of course people were nervous; it held people accountable. It’s not that the folders were set up to embarrass people… well, I admit that it was a part of it because the blame-game was big at that firm and I had to protect myself from the lying finger-pointers, which really infuriated them to no end, but it was also the only way to keep a 100% on time delivery record.
The plain fact is that these folders were invaluable to juggle what was sometimes two-dozen projects going on at once. Multitasking is nothing more than being organized and there are tools one can use for that organization. The “Folders of Evidence and Blame,” as my boss referred to them, were invaluable.
While these were somewhat private creative briefs for myself, it’s best, when managing a project, especially on a freelance basis, to have a written brief for everyone to retain for their own folders, if they have one.
A Practical Creative Brief
I’ve looked at other creative briefs available on the web and frankly; I’m not impressed with what I saw. The examples available didn’t cover enough to really let the client know all of the steps nor did it cover the creative’s end of the project. Here’s a brief that you can use as a template for your next project:
Client/Client contact information:
Name, phone number and email address for the person or the team on the client side.
Project:
Web site update incorporating Instagram/Pinterest functions for customer interaction/inbound marketing. Email blast design with links to be used with email service. Web banner for insertion on web sites. Three page, gatefold Print brochure.
Prepared by:
Name, phone number and email address for the person who is responsible for in-house project management.
Background/Overview:
Web site: Design and code new page to include “Instagram/Pinterest” customer insertions of photos and images (company moderation).
Redesign and code homepage to pinpoint and add navigation to new page.
Design and code web banner. Standard size. Consult insertions into web pages booked by client.
Design and production of three-page, gatefold printed brochure for delivery to printer by client. Four color printing. 8.5” H x 11” W. 100 lb. matte stock. Client will handle all printing and delivery to mailing house.
Timeline/Milestones:
Start time: Date goes here.
Client delivers images/logos for brochure, web banner and web site. All copy delivered by client.
1st Milestone:
Sketches for design of all components – (set date).
Client revisions/approval by (set date).
Revised sketches delivered by (set date).
Client revisions/approval by (set date).
*Further revisions will change milestones. Adjusted brief will be resubmitted to client.
2nd Milestone:
Photoshop images of pages, banner and brochure – (set date).
Client revisions/approval by (set date).
Revised images delivered by (set date).
*Further revisions will change milestones. Adjusted brief will be resubmitted to client.
3rd Milestone:
(Set date)
Delivery of completed banner ad to client.
Delivery of production ready brochure files to client.
*Further revisions will change milestones. Adjusted brief will be resubmitted to client.
4th Milestone:
(Set date)
Web page uploaded and debugged. Live publishing for web page and banner ad (set date).
Payments:
Fee: $ (total fee for project)
Deposit: $ (set fee – should be one-third to half of total fee). Deposit due at start time.
1st Milestone: $ (percentage of fee)
2nd Milestone: $ (percentage of fee)
3rd Milestone: $ (percentage of fee)
4th Milestone: $ (*ideally, this should be the final percentage of the entire fee for the project)
* Changes beyond the first round (further changes) will be billed separately at a rate of $ (set hourly rate) per hour.
Rights:
Client purchases all rights to design/copyright for work rendered. Transfer of copyright is contingent upon full payment.
There’s Still More
This, of course, is just the basics as an example. The more you list, going into the smallest details, the more you will protect yourself against “misunderstandings” as the project proceeds. The biggest problem with any project is the “but I said…” or “I thought this would be…” and the ever popular, “I thought we were going to add this?”
While a contract spells out rights, payments and promises kept only through legal wording, a creative brief shows all parties how the project will proceed and, most importantly, how payments will be made. With a contract, people may see it at the beginning of the project but won’t look at it again until you are threatening to sue them for breaking your agreement. The creative brief reminds people every step of the way that you won’t work for free, excessive changes will cost more.
Still, a creative brief may need to include the demographics of the customer/target audience. Although I haven’t experienced it myself, I have heard from other designers about clients who set the design standards of a project but later complain that the work doesn’t reflect their consumer base.
One example I can relate was a company president who kept using the word, “sophisticated” for a design project. With every design sketch, she would say, “no, no, no! I want sophisticated!”
After eleven attempts at “sophisticated,” I finally asked her to show me some examples of what she liked and I would take it as inspiration. After she pointed out a few examples, I realized she was wrong and severely nuts! What she really wanted was something whimsical. This is a great, and painful, example of miscommunication and how much work just one word – one descriptor can cause. I was on staff at the company so it wasn’t as big of a deal as if it was a freelance assignment, which would have been a disaster if it were a flat fee. It was just an extreme waste of time and a tick that showed up on my annual performance review as, “failed to satisfy the president’s wishes in eleven rounds of changes.”
This is yet something else that needs to be included in the creative brief. Words can be misinterpreted or misused. Sometimes people use their hands to describe what they want, moving them up and down and sideways to specify size, layout or “sophistication.” Your job, as the creative lead, is to pull out what it is they really mean and place it into the written brief so there are no extra rounds of design that cut into your fee or take you away from other projects.
Demographics are another important point to clarify for the creative brief. WHO is the intended audience? The answer might be “everybody” and it might be “18-28 year-old men who live in their parent’s basement.”
Remember to ask these questions so when you are ready to write up your brief to present to the client, there will be no holes that might trip up the project down the road. If there are any holes or misunderstandings, the time… and money, will come out of YOUR end and that can add up over a year to thousands of dollars.
The Project Folder
The computer did not, as promised, make us a paperless society. Digital communications added to the lack of memory people have. Computers, in a big way, replaced our ability to remember and store information in our own brains. An example is when a client doesn’t remember you saying something on an email, like asking to be paid or trying to find out why the three-day period for a decision on final designs has taken 17 months.
The project folder is a handy way to draw everything together in one place for future reference. By placing printouts of all emails, the creative brief, notes, inspirational images, invoices from stock houses, vendors you use and finally, a copy of the check(s) you receive, it becomes the record of the project if you ever have to refer back to something later.
Referring Back When Problems Arise
Anyone who tells you they have never had a problem with a design project is either a liar or a psychotic. There are projects that run up against certain questions either during or after a project is complete. Usually it’s getting paid when a client questions how much work has actually been done and why the project costs more then $79.
Seriously, we laugh at that statement but we all know it to be true. In cases where you must sit down with the client and go over all aspects of the project and show proof of requests, changes, costs incurred by you and anything else, the folder will hold all of the answers. Naturally, the client might not agree that the answer they sent in an email, telling you that all designs are approved is really what they meant, but that leads to another avenue – court.
If you are forced to go to court or mediation, the project folder is a lawyer’s dream. Everything in writing, in one place and ready to present as the record of each step. Even if you have no contract (you should have one!), the project folder and the creative brief will show intent, agreement and steps taken to complete the project.
You will also find that creative briefs are handy for repeat clients. In web design, it’s important to retain clients to service their ever-changing web needs. As technology evolves and companies grow, the original creative brief serves to remind you of how the client prefers to work with you. Reviewing past project files and briefs can also remind you when it’s time to contact a client to pitch updates to their site. It’s a wonderful tool that’s invaluable. So, run out to your local office supply store, buy some file folders, design a creative brief sheet with your logo on it and you’ll see how easy a great creative brief and project folder can make your life and business.
Image Credits
Taking notes on Michael Arndt’s talk
Just getting started
The hand stretches a folder
|
- Devops in Munich 2 weeks 3 days ago
Devopsdays Mountainview sold out in a short 3 hours .. but there's other events that will breath devops this summer.
DrupalCon in Munich will be one of them ..
Some of you might have noticed that I`m cochairing the devops track for DrupalCon Munich,
The CFP is open till the 11th of this month and we are still actively looking for speakers.
We're trying to bridge the gap between drupal developers and the people that put their code to production, at scale.
But also enhancing the knowledge of infrastructure components Drupal developers depend on.
We're looking for talks both on culture (both success stories and failure) , automation,
specifically looking for people talking about drupal deployments , eg using tools like Capistrano, Chef, Puppet,
We want to hear where Continuous Integration fits in your deployment , do you do Continuous Delivery of a drupal environment.
And how do you test ... yes we like to hear a lot about testing , performance tests, security tests, application tests and so on.
... Or have you solved the content vs code vs config deployment problem yet ?
How are you measuring and monitoring these deployments and adding metrics to them so you can get good visibility on both
system and user actions of your platform. Have you build fancy dashboards showing your whole organisation the current state of your deployment ?
We're also looking for people talking about introducing different data backends, nosql, scaling different search backends , building your own cdn using smart filesystem setups.
Or making smart use of existing backends, such as tuning and scaling MySQL, memcached and others.
So lets make it clear to the community that drupal people do care about their code after they committed it in source control !
Please submit your talks here
- FlossUK and Puppetcamp Edinburgh 8 weeks 12 hours ago
I've just finished presenting my talk on how I currently work on Puppet modules at Puppetcamp here in Edinburgh where I've been for the week talking on both FlossUK 2012 and Puppetcamp.
7 tools for your devops stack
View more presentations from Kris Buytaert
Earlier this week I opened FlossUK 2012 with my talk on 7 tools for your devops stack
How I hack on puppet modules
View more presentations from Kris Buytaert
- Devops and Drupal, the Survey, the Results 10 weeks 1 day ago
I've just finished presenting the results of our Drupal and Devops survey at the Belgian Drupal User Group meetup at our office
and I've uploaded the slides to slideshare for the rest of the world to cry read.
Drupal and Devops , the Survey Results
View more presentations from Kris Buytaert.
Honestly I was hoping for the audience to prove me wrong and I was expecting all of them to claim they were doing automated and repeatable deployments.
But there's hope...
- Logstash and ElasticSearch 13 weeks 2 days ago
"An expert is a man who has made all the mistakes which can be made, in a narrow field."
Niels Bohr
When I setup Logstash for the very first time I got bitten by an empty search, aparently no logs were indexed. Reading the log files indeed told me about
WARN: org.elasticsearch.discovery.zen.ping.unicast: [Blaire, Allison] failed to send ping to [[#zen_unicast_1#][inet[/127.0.0.1:9300]]]INFO | jvm 1 | 2012/02/06 22:45:55 | org.elasticsearch.transport.RemoteTransportException: [Page, Karen][inet[/127 .0.0.1:9300]][discovery/zen/unicast]INFO | jvm 1 | 2012/02/06 22:45:55 | Caused by: java.io.EOFException
The above is the typical error when the ElasticSearch version you are using externally is not in sync with the one Logstash is using, yes those versions need to match.
Fast forward a couple of weeks.. and I`m upgrading Logstash and therefore also ElasticSearch .. I have a Vagrant setup to play with so all of the components are running on 1 node.
I kept running into a similar problem, this time however I saw log entries being indexed, I could get data from my ElasticSearch setup using
wget -q -S -O - http://localhost:9200/_status?pretty=true
But the web interface kept showing no results ;(
While nagging about it on irc .. Jordan gave me the insight :
2012-01-31.194347+0100CET.txt:(07:55:36 PM) whack: slight caveat that elasticsearch clients also join the cluster, so if you point everyone at 127.0.0.1:9300, that :9300 could be one of your clients, not the server
Indeed when you by accident start any of the logstash instances (server/shipper/web) before you start your ElasticSearch instance you can be in trouble.
Ordering really matters , you really need to start ElasticSearch before you start the clients.
Obviously is you don't use the unicast setup you don't run into this problem ..
So what other mistakes should I make ?
- The ultimate 2012 open source and devops conference 14 weeks 4 hours ago
Kent Skaar pinged me last week , asking for feedback on Lisa'11 and input for Lisa 2012.
Thought I should share my advise to him with the rest of the world
So If I were to host an event similar to Lisa I'd had either
Jordan Sissel or Mitchell Hashimoto give the keynote because over the past 24 months those people have written more relevant tools for me than anyone else :)
I'd have someone talk about Kanban for Operations, There's 2 names that pop up Dominica DeGrandis and Mattias Skarin
I'd have the Ubuntu folks talk about JuJu and I'd have RI Pienaar talk about MCollective .. while you have RI have him talk about Hiera too. Have Dean Wilson carry RI's bags and put him unknowingly on a panel. (Masquerade it as a Pub with hidden cameras)
Obviously as #monitoringsucks you want to hear about new monitoring tools initiatives and how people are dealing with them , so you want people talking about Graphite, Collectd, Statsd, Sensu , Icinga-MQ And how people are reviving Ganglia and using that in large scale environments.
You want someone to demistify Queues, I mean .. who still knows about the differences between Active, Rabbit , Zero, Hornet and many other Q's ?
You want people talking about how they deal with logs, so talks about Logstash and Graylog2.
You want to cover Test Driven Infrastructure How do you test your infrastructure , someone to demystify Cucumber and Webrat , and talk about testing Charms, Modules, and Cookbooks.
Oh and Filesystems , distributed ones the Ceph, FraunhoverFS, Moose, KosmosFS, Glusters, Swifts of this world ... you want people to talk about their experiences , good and bad with any of the above, someone who can actually compare those rather than heresay stuff. :) With recent updates on what's going on in these projects.
Now someone please organise this for me :) In a warm and sunny place ... preferably with 27 holes next door , and daycare for my kids :)
PS. Yes the absence of any openstack related topic is on purpose .. that's for 2013 :)
|  - Download GIMP 2.8 Script-FUs Pack (More Than 100 Effects And Filters) 12 hours 17 min ago GIMP 2.8 Script-FUs is a collection of more than 100 scripts, initially created for GIMP 2.4, that have been fixed/updated recently to work with the latest GIMP 2.8. Besides filters and effects, there are also some scripts that allow you to easily create a calendar, create a CD label, add watermark and more.Scripts included in the latest GIMP 2.8 Script-FU pack:Artist: Angled strokes, Color Pencil, Conte-charcoal crayon, Crosshatched, Cutout, Inkpen, Note Paper, Paletter Knife, Pastel, WaterColorColor: Invert, Saturation, BW from Graphic, Color Temp, Funky Color, Grey Point, Split Tone With ED, Tone MappingContrast: Shadow Recovery, Auto Contrast, Change Contrast, High Pass, ISO Noise ReductionCreate new: CD label, GlassEffect Text, Glossy Orb, Letter Drop Animation, Scribbled Text, Text Balloon, Text CircleDisorts: Circle Maker, Photocopy, Wrap EffectEdges: Fade Outline, Fuzzy Border, Jagged Border, Translucent Border, Add Matte, Art Border, Frame like poster with strait corners, Frame like slide with round corners, Frame with Bevel, Frame with hover effect and round corners, Photo Border Fancy, Photo Frame, Tasty FrameEffects: Cartoon 2, Blackboard Effect, Cartoon Quick, Chrome Image, Cross Light, Fog, Landscape Illustrator, Lomo, Reflection, Sepoina Graf-ixEffects Selection: Bevel Selection, Chisel Or Carve, Glass Selection, Glow SelectionPhoto: Picture to graphic, Copyright text, EZ Red Skin Fix, Film Grain, Fix Overblown, Halftone, Highlight to Sky and Clouds, Infrared Simulation, Red Eye by Selected Area, Red Eye Desaturate, Vintage Photo, Web Photo EditorShapes: CD Mask, Circle Draw, Old Paper, StampifySharpness: High-Passs Sharpen, BSSS-Sharpen, Midtone-Sharp, Smart Sharpening, Wisest Sharpen, Blur Non-Edges, Make wonderful, Orton effect, Pixel Gradient, Sharp Blur, Soft Focus, Soft Focus Simple, Wrap SharpSketch: quick sketch, Drawing, Line Sketch, Pastel Sketch, Pencil Sketch, Pen Drawn, Roy Lichtenstein, Synthetic Edges, Toned Line ArtTexture: Patchwork, Stained Glass, TexturizerMisc: Arrow, Calendar Month, Calendar year, Prepare for Colorize, Remove Paths, Remove Settings, Step Resize, Stoked text, WatermarkAccording to the release announcement, the scripts included in this pack do not work with GIMP 2.6, so only use them with GIMP 2.8 (or 2.7, the GIMP 2.8 development branch).To install the scripts, download the archive, extract it and copy the extracted scripts (.scm) to the following location:Linux: for your user: ~/.gimp-2.8/scripts or system-wide: /usr/share/gimp/2.0/scriptsWindows Vista/7: C:\Program Files\GIMP 2\share\gimp\2.0\scripts or C:\Users\YOUR-NAME\.gimp-2.8\scriptsWindows XP: C:\Program Files\GIMP 2\share\gimp\2.0\scripts or C:\Documents and Settings\yourname\.gimp-2.8\scriptsDownload GIMP 2.8 Script FUsFor even more effects and filters, see: Install GIMP Plugin Registry For GIMP 2.8 In Ubuntu [PPA]seen on lffl.org
Originally published at WebUpd8: Daily Ubuntu / Linux news and application reviews.
- MK802: New USB Thumb Drive-Sized Android Computer 13 hours 44 min ago MK802, a new USB thumb drive-sized computer is available for purchase. The mini computer has an AllWinner A10 single-core 1.5Ghz ARM CPU, 512 MB of RAM, a Mali 400 GPU and can play high definition videos. The mini computer ships with Android 4.0 and just like Cotton Candy, it comes with microUSB and microSD slots as well as WiFi. MK802 also has a full-sized USB port and of course, there's also a HDMI port.The price is larger than for the Raspberry Pi: $74 (including shipping), but the new mini PC has better hardware. And it's a lot cheaper than Cotton Candy, which does have a dual-core CPU and 1GB of RAM, but it costs $199 plus shipping and further more, the pre-orders have been closed for now.MK802 can be purchased via aliexpress.com (US $74.0)via geek.com
Originally published at WebUpd8: Daily Ubuntu / Linux news and application reviews.
- Open Source RTS Game 0 A.D. Alpha 10 Released 2 days 11 hours ago Wildfire Games has released the tenth alpha version of 0 A.D., an open source, historical real-time strategy game which features excellent graphics and sound. The new alpha brings Hellenic factions, basic technologies, civilization phases, click-and-drag wall building functionality, healing and more.Improvements in 0 A.D. alpha 10 "Jhelum":Hellenic factions: Athenians, Macedonians and SpartansHealing: a priest can now heal unitsNew models/artwork: Roman Siege Walls, Iberian Special Building, Temple and Fortress, more9 new mapsTechnologies: economic or military bonuses that can be researchedCivilization phases: start with Village, then upgrade to Town and CityClick and drag wall building functionalityMany other improvements and bug fixesYou can see the new features available in the latest 0 A.D. alpha 10 in the video below:(direct video link)0 A.D. is missing some features like a multiplayer matchmaking service, campaings or settings and more. If you want to help implement some of these features, help with existing ones or in any other way (web design, sound, etc.), check out THIS forum post.Download 0 A.D.Ubuntu 12.04, 11.10, 11.04, 10.10 and 10.04 users can install 0 A.D. using a PPA:sudo add-apt-repository ppa:wfg/0adsudo apt-get updatesudo apt-get install 0adThe packages in the stable PPA above are a bit old, but should be updated soon. Alternatively, you can use a PPA that provides weekly 0 A.D. development snapshots.Download 0 A.D. - available for Windows, Linux and Mac OSX.
Originally published at WebUpd8: Daily Ubuntu / Linux news and application reviews.
- Add PDF, Audio And EXIF Metadata To Nautilus 3.4 List View [Nautilus Columns] 3 days 7 hours ago Nautilus Columns is a Nautilus extension that displays PDF and audio (mp3, WAV and FLAC) tags as well as EXIF metadata to the Nautilus List View. The extension has been updated recently by WebUpd8 reader Arun to work with Nautilus 3.4 so you can use it in the latest Ubuntu 12.04 LTS.The extension supports displaying the following info in the Nautilus list view columns:mp3, WAV, FLAC: artist, track, album, title, bitrate, date, genre, length and sample rateEXIF: dateshot, image size, software and flashPDF: title, author (displayed under "Artist")Screenshots:To install Nautilus Columns in Ubuntu 12.04 Precise Pangolin, use the commands below:sudo add-apt-repository ppa:nilarimogard/webupd8sudo apt-get updatesudo apt-get install nautilus-columnsThen, restart Nautilus (the .deb tries to do this automatically, but just in case):nautilus -qOnce installed, in Nautilus select Edit > Preferences and on the "List Columns" tab, enable the audio, EXIF and PDF metadata that you want to be displayed. This info is only displayed in the list view so select View > List from the Nautilus menu (or use CTRL + 2).That's it for Ubuntu 12.04 users.For other Linux distributions, you can download Nautilus Columns from HERE. Important: this version doesn't work with Nautilus versions older than 3.4! To install it, extract the archive and copy the "bsc-v2.py" file to one of the following folders (if they don't exist, create it):for the current user: ~/.local/share/nautilus-python/extensions/for all users: /usr/share/nautilus-python/extensions/You'll also need to install some dependencies: python-nautilus, python-mutagen, python-pyexiv2, python-kaa-metadata, libnautilus-extension1a and python-pypdf (they might have a different name, depending on your the Linux distribution). After you've installed everything, remember to restart Nautilus.Thanks to Arun for porting Nautilus Columns to Nautilus 3.4!
Originally published at WebUpd8: Daily Ubuntu / Linux news and application reviews.
- Window Buttons Extension Available For GNOME Shell 3.4 [Ubuntu 12.04] 3 days 11 hours ago The GNOME Shell Window Buttons extension has been updated for GNOME Shell 3.4 and is now available in the WebUpd8 GNOME 3 PPA.Window Buttons is an extension that displays the minimize, maximize and close window buttons on the top GNOME Shell bar, like in Unity. The buttons order or theme can be customize and the extension comes with 5 built-in themes: Ambiance, Radiance, Zukitwo, Zukitwo Dark and a generic (default) theme.Install and configure GNOME Shell Window Buttons extensionTo add the WebUpd8 GNOME 3 PPA and install GNOME Shell Window Buttons extension in Ubuntu 12.04 (there's also an older version available for Ubuntu 11.10 with GNOME Shell 3.2), use the commands below:sudo add-apt-repository ppa:webupd8team/gnome3sudo apt-get updatesudo apt-get install gnome-shell-extension-window-buttonsOnce installed, restart GNOME Shell and activate "Window Buttons" using GNOME Tweak Tool.The extension has been tested with Ubuntu 12.04 and GNOME Shell 3.4.1 but it should work on other Linux distributions too (not tested!) - you can download it from HERE.Window Buttons on the top GNOME Shell bar, window titlebar removed using MaximusThe extension can be configured using Dconf Editor - if it's not already installed, use the command below to install it:sudo apt-get install dconf-toolsThen run Dconf Editor and navigate to org > gnome > shell > extensions > window-buttons. Here, you can change various settings, such as:theme: set the theme you want to use: "Ambiance", "Radiance", "Zukitwo", "Zukitwo-Dark" or "default"pinch: set the window buttons like Mutter, Metacity or Custom.order: if you've set the pinch (see above) to Custom, here you can set the button orderonlymax, hideonnomax: enabling these two options, the window buttons will be hidden when there are no maximized windows. This option is a bit buggy, to get it to work, use the maximize/unmaximize button on the top GNOME Shell bar a few times and the buttons should dissapear when there are no maximized windows.After changing some of the settings, like the theme, you must restart GNOME Shell. To automatically remove maximized windows titlebar, you can use Maximus - for more info, see: How To Remove Maximized Windows Titlebar In GNOME ShellYou can get the window buttons on the panel using the Classic (Fallback) GNOME Session too, see: `Window Applets`, Finally Available For GNOME 3 (Classic / Fallback)Thanks to Sander Deryckere and barravi for updating the extension to work with GNOME Shell 3.4!
Originally published at WebUpd8: Daily Ubuntu / Linux news and application reviews.
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